Imminent Infinity https://validator.w3.org/feed/docs/rss2.html About Imminent Infinity & Scott Drury Mixing & Mastering Recording Studio in Halstead, Essex About Infinity Studios Studio Bambambinos: A Bit Punk, A Lot of Heart, and Something Bigger Than a Band The Music Stayed the Same. Everything Else Changed. Bridget.: From Colchester’s DIY Scene to the Big Stages — On Her Own Terms Fontaines D.C. Announce Intimate Roundhouse Charity Show for CALM Judas Priest Bassist Ian Hill Retires After More Than Five Decades Nickelback Announce 2027 UK and Ireland Arena Tour With Don Broco Meet Pushbike: Exeter’s Fuzz-Pop Trio Making a Glorious Racket Wilswood Buoys: From Mersea Island to a New Chapter in Colchester Sam Fender Announces Massive 2027 Stadium Tour With Wunderhorse Chalk Unleash Heaven / Hell Double Single Ahead of Fontaines D.C. Arena Tour Doves Guitarist Jez Williams Announces Debut Solo Album Life Of Me And You Queens of the Stone Age – Perfecth Album Review: A Quieter Kind of Unease London Music Licensing Inequality: Who Gets to Play? overpass – Elsewhere, Always Album Review: Big Anthems With Real Heart Hard-Fi – Sweating Someone Else’s Fever Album Review: I Wanted More Hard-Fi Graham Coxon – Castle Park Album Review: The Rawness Is Part of the Appeal LIFE – ABSTRACT / NATURAL Album Review: Enjoyable, but I Wanted More Direction Fontaines D.C. – Dopamine Chamber Album Review: Dark Electronics and Cinematic Ambition mary in the junkyard – Role Model Hermit Album Review: Dark Fairy Tales That Draw You In The Rolling Stones – Foreign Tongues Album Review: A Homecoming Worth 10/10 Manchester Pledges £2m for Music: Can It Help the Next Generation Break Through? Power Trip Return With ‘Precinct 3’ and ‘Scavenger’ as New Album Takes Shape Brandon Flowers Brings His Country Roots to the Royal Albert Hall The Raconteurs Reunite at Jack White’s Nashville Show After Seven Years Frank Carter Has Fan Removed at Sex Pistols Gig Over Women-Only Mosh Pit Row Stereophonics Announce ‘Tune!’: 30 Songs Celebrating 30 Years Madra Salach Announce Debut Album ‘Gorta’ and Share ‘Ribbon Factory’ The Smashing Pumpkins Reunite With Butch Vig After 33 Years for ‘Black Stars’ Sunday Roundup: RAYE’s Mercury Win, Sam Fender and Grassroots Music Cast’s All Change at 31: The Britpop Debut That Still Deserves Its Place Fright Years: Unshaken Momentum Blondie’s ‘Spectral Eyes’ Puts Johnny Marr’s Guitar Front and Centre Yard Act – You’re Gonna Need A Little Music Album Review: Strong Songs, a Little Too Clean The Strokes – Reality Awaits Album Review: Good Songs, Distracting Vocals Teenage Fanclub – Do Not Dare to Dream Review: A Warm Embrace With a 70s Soul Trivium Announce Crown in the Grave Album and Unleash Dark New Title Track Deafheaven Surprise-Release At Work in the Fields of the Bomb EP Greta Van Fleet Release Palace for the People — With a London Connection Courtney Barnett – Creature of Habit Album Review: Four Songs That Stayed With Me Snail Mail – Ricochet Album Review: A Voice That Stays With Me Lime Garden – Maybe Not Tonight Album Review: Light on Its Feet, Big on Hooks Fontaines D.C. Twist the Human Voice Into Something Unsettling on ‘Tongue’ Kings of Leon Turn the Earth Into a Lyric Video for ‘Cold Blue Dawn’ Mogwai and Iggy Pop Go ‘Underground’ as ‘Happy Tears’ Marks 30 Years Home